Stepping up to the podium, Brettanomyces collects his notes; fragments of ideas on melody, thematic development, recapitulation, mutation, thematic variation, restatement, and so on. Water, Hops, and Malted Barley sit first, second and third chair. The toasted oak walls await the sonic wort, anticipation fills the hall. The whole room watches, bated breath, as the Maestro, wiping phenol, guaiacol, and isovaleric acid off his brow, raises the baton and begins